Fauve

December 3, 2016 – January 31, 2017


  • AhlgrenJ_145_Dissonance_w.jpg
  • ArataT_Rings_EnamelSilverCrystal.jpg
  • BeerV_Bench_BridgeA_2015_w.jpg
  • BeerV_Chair_Raindrop_2016.jpg
  • BeroM_Sunflower_EmbroideredSilkCottonRayon_A4.25x5_F13.5x14_w.jpg
  • EnochS_Necklace_Asteridea_w.jpg
  • EnochS_Necklace_Asteridea_Detail_w.jpg
  • EnochS_Earrings_Discodea_w.jpg
  • EnochS_Earrings_Aureus_w.jpg
  • EnochS_Earrings_Aureus_Worn_w.jpg
  • EnochS_Earrings_Folium_w.jpg
  • EnochS_Earrings_Folium_Worn_w.jpg
  • FischA_Necklace_FauvFlower_w.jpg
  • FischA_Necklace_KnitCircles_w.jpg
  • FischA_NecklaceBrooch_PurpleGreenScarf_w.jpg
  • FuchiA_Brooch_Hommage3_2016_w.jpg
  • FuchiA_Ring_Hommage1_2016_w.jpg
  • KimMJ_SpringBosch_Front_w.jpg
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  • KwonS_Necklace_Memory_w.jpg
  • KwonS_Brooch_SwingOfTheNight_w.jpg
  • LoeserT_Boxes_2016.jpg
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  • MarderD_SisterRed_w.jpg
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  • McCainE_QuadGeese.jpg
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  • MerkelHessM_RinardA_ReedPaperAcrylicPaint_30x19x11_w.jpg
  • MerkelHessM_RinardB_ReedPaperAcrylicPaint_30x19x11_w.jpg
  • RichmondL_FauvLeafCloth_w.jpg
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  • SauseleL_Matisse_w.jpg
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  • SauseleL_BlueBirdTeapot_w.jpg
  • SeeligW_ShadowfieldColoredLight_StainlessSteelFluorescentPlexiglass_w.jpg
  • SperkovaB_NecklaceEarrings_AfterAndreaDerain_FingerKnitted.jpeg
  • SperkovaB_NecklaceEarrings_AfterMauricedeVlaminck_FingerKnitted.jpeg
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Jeanette Ahlgren
#145 Dissonance

Woven glass beads, wire


Artwork Inquire Form

×
Tomomi Arata
Rings

Enamel, sterling silver, crystal


Artwork Inquire Form

×
Vivian Beer
Bridge Bench

Stainless steel, pure pigment, and ferrocement (concrete)


Artwork Inquire Form

×
Vivian Beer
Raindrop Stool

Stainless steel, pure pigment, and ferrocement (concrete)


Artwork Inquire Form

×
Mary Bero
Sunflower

Embroidered silk, cotton and rayon


Artwork Inquire Form

×
Sarah Enoch
Asteridea

Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×
Sarah Enoch
Asteridea, detail

Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×
Sarah Enoch
Discodea

Earrings. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×
Sarah Enoch
Aureus

Earrings. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×
Sarah Enoch
Aureus

Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×
Sarah Enoch
Folium

Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×
Sarah Enoch
Folium

Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×
Arline Fisch
Fauvist Flower

Necklace. Coated copper wire, machine knit base and spool knit flowers


Artwork Inquire Form

×
Arline Fisch
Pink and Orange Circles

Necklace. Coated copper wire, spool knit


Artwork Inquire Form

×
Arline Fisch
Purple and Green

Scarf and Brooch. Coated copper wire


Artwork Inquire Form

×
Arata Fuchi
Hommage 3

Brooch. Pulverization and Keum-Boo techniques. Sterling silver, silver powder, oxidized silver powder, fine gold, palladium, oxidized shibuichi, 18k yellow gold, fine silver


Artwork Inquire Form

×
Arata Fuchi
Hommage 1

Ring. Pulverization technique. Sterling silver, silver powder, oxidized silver power, fine gold, palladium, oxidized shibuichi


Artwork Inquire Form

×
Myungjin Kim
Spring-Bosch

Painted and glazed porcelain


Artwork Inquire Form

×
Myungjin Kim
Spring-Bosch, back view

Painted and glazed porcelain


Artwork Inquire Form

×
Myungjin Kim
Spring-Bosch, detail

Painted and glazed porcelain


Artwork Inquire Form

×

Artwork Inquire Form

×

Artwork Inquire Form

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Tom Loeser
Four Stacking Boxes with Lids

Mahogany, milk paint


Artwork Inquire Form

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Tom Loeser
Box 1

Mahogany, milk paint


Artwork Inquire Form

×
Tom Loeser
Box 2

Mahogany, milk paint


Artwork Inquire Form

×
Tom Loeser
Box 3

Mahogany, milk paint


Artwork Inquire Form

×
Tom Loeser
Box 4

Mahogany, milk paint


Artwork Inquire Form

×
Donna Marder
Sisters

Sewn papers, collages, thread, antique buttons


Artwork Inquire Form

×
Donna Marder
Sister Blue

Sewn antique book paper, hand-made paper, collaged art postcards and an antique button


Artwork Inquire Form

×
Donna Marder
Sister Blue

Sewn antique book paper, hand-made paper, collaged art postcards and an antique button


Artwork Inquire Form

×
Donna Marder
Sister Green

Sewn paper, collaged art postcards and an antique button


Artwork Inquire Form

×
Donna Marder
Sister Green, detail

Sewn photos, gold teachest paper and an antique button


Artwork Inquire Form

×
Donna Marder
Sister Red

Sewn paper, collaged art postcards and an antique button


Artwork Inquire Form

×
Donna Marder
Sister Red, detail

Sewn paper, collaged art postcards and an antique button


Artwork Inquire Form

×
Karen Theusen Massaro
Necklace 24, Cloud Series 1, view A

Porcelain hollow reversible beads, new jade spacer beads, hand forged sterling silver clasp by Danish silversmith


Artwork Inquire Form

×
Karen Theusen Massaro
Necklace 24, Cloud Series 1, view B

Porcelain hollow reversible beads, new jade spacer beads, hand forged sterling silver clasp by Danish silversmith


Artwork Inquire Form

×
Karen Theusen Massaro
Necklace 27, view A

Porcelain hollow reversible beads, new jade spacer beads, hand forged sterling silver clasp by Danish silversmith


Artwork Inquire Form

×
Karen Theusen Massaro
Necklace 27, view B

Porcelain hollow reversible beads, new jade spacer beads, hand forged sterling silver clasp by Danish silversmith


Artwork Inquire Form

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Eleanor McCain
Quad Geese

Hand dyed and machine stitched cotton


Artwork Inquire Form

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John McQueen
Portmanteau

Paint on panel


Artwork Inquire Form

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John McQueen
Portmanteau, detail

Paint on panel


Artwork Inquire Form

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John McQueen
Portmanteau, detail

Paint on panel


Artwork Inquire Form

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Mary Merkel-Hess
Rinard

Reed, paper, acrylic paint


Artwork Inquire Form

×
Mary Merkel-Hess
Rinard

Reed, paper, acrylic paint


Artwork Inquire Form

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Lesley Richmond
Fauv Leaf Cloth

Devore, dyed, printed and stitched silk/rayon fabric


Artwork Inquire Form

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Lesley Richmond
Fauv Leaf Cloth, detail

Devore, dyed, printed and stitched silk/rayon fabric


Artwork Inquire Form

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Lesley Richmond
Fauv Leaf Cloth, detail

Devore, dyed, printed and stitched silk/rayon fabric


Artwork Inquire Form

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Lynne Sausele
Fauvist Beadist Portrait after Matisse “Raie Verte: The Green Stripe”

Glass beads


Artwork Inquire Form

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Lynne Sausele
Fauvist Beadist Portrait after Matisse “Raie Verte: The Green Stripe”

Glass beads


Artwork Inquire Form

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Lynne Sausele
Blue Bird Teapot

Glass beads, ceramic


Artwork Inquire Form

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Warren Seelig
Shadowfield: Colored Light

Stainless steel, fluorescent plexiglass


Artwork Inquire Form

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Blanka Sperkova
After Andrea Derain

Necklace and Earrings. Finger knitting


Artwork Inquire Form

×
Blanka Sperkova
After Maurice de Vlaminck

Necklace and Earrings. Finger knitting


Artwork Inquire Form

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Rachelle Thiewes
Slipstream #462

Bracelet. Steel, auto paint


Artwork Inquire Form

×
Rachelle Thiewes
Slipstream #462

Bracelet. Steel, auto paint


Artwork Inquire Form

×
Rachelle Thiewes
Sliced #465

Bracelet. Steel, auto paint


Artwork Inquire Form

×
Rachelle Thiewes
Sliced #465

Bracelet. Steel, auto paint


Artwork Inquire Form

×
Rachelle Thiewes
Sliced #471

Earrings. Steel, auto paint


Artwork Inquire Form

×
Rachelle Thiewes
Sliced #471

Earrings. Steel, auto paint


Artwork Inquire Form

×
Rachelle Thiewes
Sliced #472

Earrings. Steel, auto paint


Artwork Inquire Form

×
Rachelle Thiewes
Sliced #477

Bracelet. Steel, auto paint


Artwork Inquire Form

×
Rachelle Thiewes
Sliced #477

Bracelet. Steel, auto paint


Artwork Inquire Form

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Andrea Uravitch
Ephemeral

Wonderflex, handmade paper, paint, mounted on a cradle board, crochet, ceramics, wire, machine sewn


Artwork Inquire Form

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Andrea Uravitch
Ephemeral, detail

Wonderflex, handmade paper, paint, mounted on a cradle board, crochet, ceramics, wire, machine sewn


Artwork Inquire Form

×
Mizuko Yamada
Brooch

Artwork Inquire Form

×
Mizuko Yamada
Brooch

Artwork Inquire Form

×
Mizuko Yamada
Brooch

Artwork Inquire Form

×
  • IMAGES:
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  • AhlgrenJ_145_Dissonance_w.jpg
    Jeanette Ahlgren
    #145 Dissonance

    Woven glass beads, wire

    Inquire

  • ArataT_Rings_EnamelSilverCrystal.jpg
    Tomomi Arata
    Rings

    Enamel, sterling silver, crystal

    Inquire

  • BeerV_Bench_BridgeA_2015_w.jpg
    Vivian Beer
    Bridge Bench

    Stainless steel, pure pigment, and ferrocement (concrete)

    70" long

    Inquire

  • BeerV_Chair_Raindrop_2016.jpg
    Vivian Beer
    Raindrop Stool

    Stainless steel, pure pigment, and ferrocement (concrete)

    Inquire

  • BeroM_Sunflower_EmbroideredSilkCottonRayon_A4.25x5_F13.5x14_w.jpg
    Mary Bero
    Sunflower

    Embroidered silk, cotton and rayon

    Artwork: 4.25" x 5", Frame: 13.5" x 14"

    Inquire

  • EnochS_Necklace_Asteridea_w.jpg
    Sarah Enoch
    Asteridea

    Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver

    25” long including clasp, 7.5” diameter x 2” wide

    "In my work I am inspired by botanical nature and landscapes and I am interested in representations of the four seasons. During the last fifteen years I developed a unique technique using thermoplastics such as PE (Polyethylen) and PMMA (Acrylic). This technique is the basis for my research into form, colour and structure.
    "The collier “ A S T E R I D E A ” which I made for the FAUVE exhibition at Mobilia Gallery consists of pressed Polyethylen(PE)-forms. Each form is made seperately: coloured PE-granules and threads are arranged in a kind of minicollage. By heating and pressing the collage, the loose elements merge into one piece to create very light and flexible forms. I do not use templates: the contour and pattern of these forms are created by the impact of pressure. After completing the forms they are strung together on a silver chain. The collier consists of 154 elements.
    "For the theme of FAUVISM I wanted to make a more reduced but at the same time powerful piece. Therefore I used a lot of repetition of one and the same geometric shapes and I chose primary colours plus black and white to get a maximum colour contrast.
    "While working on this collier I was inspired by its vivid colours to make large “lively" earrings: “ D I S C O I D E A ”. To enhance their dynamics I made discs from PE where one can see how the colour has spread due to the impact of pressing and I fastened them in a way that they could swirl freely while worn."
    Photo: Henni van Beek, fotografie Amsterdam

    Inquire

  • EnochS_Necklace_Asteridea_Detail_w.jpg
    Sarah Enoch
    Asteridea, detail

    Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver

    25” long including clasp, 7.5” diameter x 2” wide

    "In my work I am inspired by botanical nature and landscapes and I am interested in representations of the four seasons. During the last fifteen years I developed a unique technique using thermoplastics such as PE (Polyethylen) and PMMA (Acrylic). This technique is the basis for my research into form, colour and structure.
    "The collier “ A S T E R I D E A ” which I made for the FAUVE exhibition at Mobilia Gallery consists of pressed Polyethylen(PE)-forms. Each form is made seperately: coloured PE-granules and threads are arranged in a kind of minicollage. By heating and pressing the collage, the loose elements merge into one piece to create very light and flexible forms. I do not use templates: the contour and pattern of these forms are created by the impact of pressure. After completing the forms they are strung together on a silver chain. The collier consists of 154 elements.
    "For the theme of FAUVISM I wanted to make a more reduced but at the same time powerful piece. Therefore I used a lot of repetition of one and the same geometric shapes and I chose primary colours plus black and white to get a maximum colour contrast.
    "While working on this collier I was inspired by its vivid colours to make large “lively" earrings: “ D I S C O I D E A ”. To enhance their dynamics I made discs from PE where one can see how the colour has spread due to the impact of pressing and I fastened them in a way that they could swirl freely while worn."
    Photo: Henni van Beek, fotografie Amsterdam

    Inquire

  • EnochS_Earrings_Discodea_w.jpg
    Sarah Enoch
    Discodea

    Earrings. Thermoformed polyethelyne (PE), oxidized sterling silver

    "In my work I am inspired by botanical nature and landscapes and I am interested in representations of the four seasons. During the last fifteen years I developed a unique technique using thermoplastics such as PE (Polyethylen) and PMMA (Acrylic). This technique is the basis for my research into form, colour and structure.
    "The collier “ A S T E R I D E A ” which I made for the FAUVE exhibition at Mobilia Gallery consists of pressed Polyethylen(PE)-forms. Each form is made seperately: coloured PE-granules and threads are arranged in a kind of minicollage. By heating and pressing the collage, the loose elements merge into one piece to create very light and flexible forms. I do not use templates: the contour and pattern of these forms are created by the impact of pressure. After completing the forms they are strung together on a silver chain. The collier consists of 154 elements.
    "For the theme of FAUVISM I wanted to make a more reduced but at the same time powerful piece. Therefore I used a lot of repetition of one and the same geometric shapes and I chose primary colours plus black and white to get a maximum colour contrast.
    "While working on this collier I was inspired by its vivid colours to make large “lively" earrings: “ D I S C O I D E A ”. To enhance their dynamics I made discs from PE where one can see how the colour has spread due to the impact of pressing and I fastened them in a way that they could swirl freely while worn."
    Photo: Henni van Beek, fotografie Amsterdam

    Inquire

  • EnochS_Earrings_Aureus_w.jpg
    Sarah Enoch
    Aureus

    Earrings. Thermoformed polyethelyne (PE), oxidized sterling silver

    "In my work I am inspired by botanical nature and landscapes and I am interested in representations of the four seasons. During the last fifteen years I developed a unique technique using thermoplastics such as PE (Polyethylen) and PMMA (Acrylic). This technique is the basis for my research into form, colour and structure.
    "The collier “ A S T E R I D E A ” which I made for the FAUVE exhibition at Mobilia Gallery consists of pressed Polyethylen(PE)-forms. Each form is made seperately: coloured PE-granules and threads are arranged in a kind of minicollage. By heating and pressing the collage, the loose elements merge into one piece to create very light and flexible forms. I do not use templates: the contour and pattern of these forms are created by the impact of pressure. After completing the forms they are strung together on a silver chain. The collier consists of 154 elements.
    "For the theme of FAUVISM I wanted to make a more reduced but at the same time powerful piece. Therefore I used a lot of repetition of one and the same geometric shapes and I chose primary colours plus black and white to get a maximum colour contrast.
    "While working on this collier I was inspired by its vivid colours to make large “lively" earrings: “ D I S C O I D E A ”. To enhance their dynamics I made discs from PE where one can see how the colour has spread due to the impact of pressing and I fastened them in a way that they could swirl freely while worn."
    Photo: Henni van Beek, fotografie Amsterdam

    Inquire

  • EnochS_Earrings_Aureus_Worn_w.jpg
    Sarah Enoch
    Aureus

    Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver

    "In my work I am inspired by botanical nature and landscapes and I am interested in representations of the four seasons. During the last fifteen years I developed a unique technique using thermoplastics such as PE (Polyethylen) and PMMA (Acrylic). This technique is the basis for my research into form, colour and structure.
    "The collier “ A S T E R I D E A ” which I made for the FAUVE exhibition at Mobilia Gallery consists of pressed Polyethylen(PE)-forms. Each form is made seperately: coloured PE-granules and threads are arranged in a kind of minicollage. By heating and pressing the collage, the loose elements merge into one piece to create very light and flexible forms. I do not use templates: the contour and pattern of these forms are created by the impact of pressure. After completing the forms they are strung together on a silver chain. The collier consists of 154 elements.
    "For the theme of FAUVISM I wanted to make a more reduced but at the same time powerful piece. Therefore I used a lot of repetition of one and the same geometric shapes and I chose primary colours plus black and white to get a maximum colour contrast.
    "While working on this collier I was inspired by its vivid colours to make large “lively" earrings: “ D I S C O I D E A ”. To enhance their dynamics I made discs from PE where one can see how the colour has spread due to the impact of pressing and I fastened them in a way that they could swirl freely while worn."
    Photo: Henni van Beek, fotografie Amsterdam

    Inquire

  • EnochS_Earrings_Folium_w.jpg
    Sarah Enoch
    Folium

    Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver

    "In my work I am inspired by botanical nature and landscapes and I am interested in representations of the four seasons. During the last fifteen years I developed a unique technique using thermoplastics such as PE (Polyethylen) and PMMA (Acrylic). This technique is the basis for my research into form, colour and structure.
    "The collier “ A S T E R I D E A ” which I made for the FAUVE exhibition at Mobilia Gallery consists of pressed Polyethylen(PE)-forms. Each form is made seperately: coloured PE-granules and threads are arranged in a kind of minicollage. By heating and pressing the collage, the loose elements merge into one piece to create very light and flexible forms. I do not use templates: the contour and pattern of these forms are created by the impact of pressure. After completing the forms they are strung together on a silver chain. The collier consists of 154 elements.
    "For the theme of FAUVISM I wanted to make a more reduced but at the same time powerful piece. Therefore I used a lot of repetition of one and the same geometric shapes and I chose primary colours plus black and white to get a maximum colour contrast.
    "While working on this collier I was inspired by its vivid colours to make large “lively" earrings: “ D I S C O I D E A ”. To enhance their dynamics I made discs from PE where one can see how the colour has spread due to the impact of pressing and I fastened them in a way that they could swirl freely while worn."
    Photo: Henni van Beek, fotografie Amsterdam

    Inquire

  • EnochS_Earrings_Folium_Worn_w.jpg
    Sarah Enoch
    Folium

    Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver

    "In my work I am inspired by botanical nature and landscapes and I am interested in representations of the four seasons. During the last fifteen years I developed a unique technique using thermoplastics such as PE (Polyethylen) and PMMA (Acrylic). This technique is the basis for my research into form, colour and structure.
    "The collier “ A S T E R I D E A ” which I made for the FAUVE exhibition at Mobilia Gallery consists of pressed Polyethylen(PE)-forms. Each form is made seperately: coloured PE-granules and threads are arranged in a kind of minicollage. By heating and pressing the collage, the loose elements merge into one piece to create very light and flexible forms. I do not use templates: the contour and pattern of these forms are created by the impact of pressure. After completing the forms they are strung together on a silver chain. The collier consists of 154 elements.
    "For the theme of FAUVISM I wanted to make a more reduced but at the same time powerful piece. Therefore I used a lot of repetition of one and the same geometric shapes and I chose primary colours plus black and white to get a maximum colour contrast.
    "While working on this collier I was inspired by its vivid colours to make large “lively" earrings: “ D I S C O I D E A ”. To enhance their dynamics I made discs from PE where one can see how the colour has spread due to the impact of pressing and I fastened them in a way that they could swirl freely while worn."
    Photo: Henni van Beek, fotografie Amsterdam

    Inquire

  • FischA_Necklace_FauvFlower_w.jpg
    Arline Fisch
    Fauvist Flower

    Necklace. Coated copper wire, machine knit base and spool knit flowers

    10" outer diameter

    Inquire

  • FischA_Necklace_KnitCircles_w.jpg
    Arline Fisch
    Pink and Orange Circles

    Necklace. Coated copper wire, spool knit

    12” w x 14" h, 3.5” circles

    Inquire

  • FischA_NecklaceBrooch_PurpleGreenScarf_w.jpg
    Arline Fisch
    Purple and Green

    Scarf and Brooch. Coated copper wire

    Scarf: 12” l x 8” w, Brooch: 3” diameter

    Inquire

  • FuchiA_Brooch_Hommage3_2016_w.jpg
    Arata Fuchi
    Hommage 3

    Brooch. Pulverization and Keum-Boo techniques. Sterling silver, silver powder, oxidized silver powder, fine gold, palladium, oxidized shibuichi, 18k yellow gold, fine silver

    1.7" x 3.8" x 1.5"

    “Nature is the most original force in the world; it is absolute existence. Nature formed the earth, allowing the birth of all life from human beings with advanced intelligence to the tiniest single-celled organism. The artificial cannot truly be alive, but the creation of my jewelry is like the operation of a mysterious power. Although jewelry uses only inorganic material, because it is inspired by organic life, it too grows and changes. It is in the making of one beautiful shape that small points accumulate and connect to become lines, which in turn become facets, and finally emerge as a whole, full of vital energies.”

    Inquire

  • FuchiA_Ring_Hommage1_2016_w.jpg
    Arata Fuchi
    Hommage 1

    Ring. Pulverization technique. Sterling silver, silver powder, oxidized silver power, fine gold, palladium, oxidized shibuichi

    2.1" x 2" x 1.7"

    “Nature is the most original force in the world; it is absolute existence. Nature formed the earth, allowing the birth of all life from human beings with advanced intelligence to the tiniest single-celled organism. The artificial cannot truly be alive, but the creation of my jewelry is like the operation of a mysterious power. Although jewelry uses only inorganic material, because it is inspired by organic life, it too grows and changes. It is in the making of one beautiful shape that small points accumulate and connect to become lines, which in turn become facets, and finally emerge as a whole, full of vital energies.”

    Inquire

  • KimMJ_SpringBosch_Front_w.jpg
    Myungjin Kim
    Spring-Bosch

    Painted and glazed porcelain

    15" x 24" x 7"

    “In my new “Boschlandia Series” I pay homage to the great 15th Cen. Netherlandish painter Hieronymus Bosch. I am still interested in the similarities and differences between the east and west in art and life. I make ceramic sculpture but look a lot at paintings from both cultures because they are so rich and hold so many clues that help me understand a life between cultures. Bosch’s paintings are very much like a fairy tale land, dense with life’s meaning. His complex detail and uniquely beautiful narrative vision continues to fascinate me.
    “I am very intrigued in creating a transition from 2D to 3D and so I have begun to make small tableaus of certain creatures and aspects from Bosch's landscapes that create a bigger vision of storytelling to viewers. The owl in particular caught my attention, as it is generally a universal symbol for strength and quiet wisdom, virtues that are also admired in the Korea where I was raised. The similarities between the way Korean folk painters “Minwha” and early Northern European painters like Bosch and many others painted the land formations and landscape also cannot be overlooked. This is something that I have begun to try to understand in my own way as I make landmass forms as part of my sculptural tableaus.” 

    Inquire

  • KimMJ_SpringBosch_Back_w.jpg
    Myungjin Kim
    Spring-Bosch, back view

    Painted and glazed porcelain

    15" x 24" x 7"

    “In my new “Boschlandia Series” I pay homage to the great 15th Cen. Netherlandish painter Hieronymus Bosch. I am still interested in the similarities and differences between the east and west in art and life. I make ceramic sculpture but look a lot at paintings from both cultures because they are so rich and hold so many clues that help me understand a life between cultures. Bosch’s paintings are very much like a fairy tale land, dense with life’s meaning. His complex detail and uniquely beautiful narrative vision continues to fascinate me.
    “I am very intrigued in creating a transition from 2D to 3D and so I have begun to make small tableaus of certain creatures and aspects from Bosch's landscapes that create a bigger vision of storytelling to viewers. The owl in particular caught my attention, as it is generally a universal symbol for strength and quiet wisdom, virtues that are also admired in the Korea where I was raised. The similarities between the way Korean folk painters “Minwha” and early Northern European painters like Bosch and many others painted the land formations and landscape also cannot be overlooked. This is something that I have begun to try to understand in my own way as I make landmass forms as part of my sculptural tableaus.” 

    Inquire

  • KimMJ_SpringBosch_PartI_w.jpg
    Myungjin Kim
    Spring-Bosch, detail

    Painted and glazed porcelain

    15" x 24" x 7"

    “In my new “Boschlandia Series” I pay homage to the great 15th Cen. Netherlandish painter Hieronymus Bosch. I am still interested in the similarities and differences between the east and west in art and life. I make ceramic sculpture but look a lot at paintings from both cultures because they are so rich and hold so many clues that help me understand a life between cultures. Bosch’s paintings are very much like a fairy tale land, dense with life’s meaning. His complex detail and uniquely beautiful narrative vision continues to fascinate me.
    “I am very intrigued in creating a transition from 2D to 3D and so I have begun to make small tableaus of certain creatures and aspects from Bosch's landscapes that create a bigger vision of storytelling to viewers. The owl in particular caught my attention, as it is generally a universal symbol for strength and quiet wisdom, virtues that are also admired in the Korea where I was raised. The similarities between the way Korean folk painters “Minwha” and early Northern European painters like Bosch and many others painted the land formations and landscape also cannot be overlooked. This is something that I have begun to try to understand in my own way as I make landmass forms as part of my sculptural tableaus.” 

    Inquire

  • KwonS_Necklace_Memory_w.jpg
  • KwonS_Brooch_SwingOfTheNight_w.jpg
  • LoeserT_Boxes_2016.jpg
    Tom Loeser
    Four Stacking Boxes with Lids

    Mahogany, milk paint

    Various sizes

    "When designing a new piece I like to work from the history of furniture. I look at how objects are used, and then try to invent new visual forms that turn the historical approach to function inside out or upside down or backwards. My goal is to captivate the user with new possibilities."
    Tom Loeser fabricates his designs using traditional woodworking skills with a special focus on surfaces and hand-applied paint. Often working with milk paint, Loeser combines custom-mixed colors with natural wood to produce surface treatments that articulate the form and structure of his pieces. He often uses stripes, lines and other forms as compositional elements that guide the viewer's eye around the piece.
    When he first began making furniture, Tom Loeser discovered that conceiving, designing and constructing one-of-a-kind functional objects offered a rewarding total immersion in the creative process. For Loeser, the challenges and rewards of inventing new pieces from scratch remain as satisfying as ever.

    Inquire

  • LoeserT_Box1_2016_w.jpg
    Tom Loeser
    Box 1

    Mahogany, milk paint

    4” h x 8 1/4” w x 5 .5” d

    "When designing a new piece I like to work from the history of furniture. I look at how objects are used, and then try to invent new visual forms that turn the historical approach to function inside out or upside down or backwards. My goal is to captivate the user with new possibilities."
    Tom Loeser fabricates his designs using traditional woodworking skills with a special focus on surfaces and hand-applied paint. Often working with milk paint, Loeser combines custom-mixed colors with natural wood to produce surface treatments that articulate the form and structure of his pieces. He often uses stripes, lines and other forms as compositional elements that guide the viewer's eye around the piece.
    When he first began making furniture, Tom Loeser discovered that conceiving, designing and constructing one-of-a-kind functional objects offered a rewarding total immersion in the creative process. For Loeser, the challenges and rewards of inventing new pieces from scratch remain as satisfying as ever.

    Inquire

  • LoeserT_Box2_2016_w.jpg
    Tom Loeser
    Box 2

    Mahogany, milk paint

    4.5” h x 9.5” w x 6 3/4 “ d

    "When designing a new piece I like to work from the history of furniture. I look at how objects are used, and then try to invent new visual forms that turn the historical approach to function inside out or upside down or backwards. My goal is to captivate the user with new possibilities."
    Tom Loeser fabricates his designs using traditional woodworking skills with a special focus on surfaces and hand-applied paint. Often working with milk paint, Loeser combines custom-mixed colors with natural wood to produce surface treatments that articulate the form and structure of his pieces. He often uses stripes, lines and other forms as compositional elements that guide the viewer's eye around the piece.
    When he first began making furniture, Tom Loeser discovered that conceiving, designing and constructing one-of-a-kind functional objects offered a rewarding total immersion in the creative process. For Loeser, the challenges and rewards of inventing new pieces from scratch remain as satisfying as ever.

    Inquire

  • LoeserT_Box3_2016_w.jpg
    Tom Loeser
    Box 3

    Mahogany, milk paint

    4 3/4” h x 11” w x 8.5” d

    "When designing a new piece I like to work from the history of furniture. I look at how objects are used, and then try to invent new visual forms that turn the historical approach to function inside out or upside down or backwards. My goal is to captivate the user with new possibilities."
    Tom Loeser fabricates his designs using traditional woodworking skills with a special focus on surfaces and hand-applied paint. Often working with milk paint, Loeser combines custom-mixed colors with natural wood to produce surface treatments that articulate the form and structure of his pieces. He often uses stripes, lines and other forms as compositional elements that guide the viewer's eye around the piece.
    When he first began making furniture, Tom Loeser discovered that conceiving, designing and constructing one-of-a-kind functional objects offered a rewarding total immersion in the creative process. For Loeser, the challenges and rewards of inventing new pieces from scratch remain as satisfying as ever.

    Inquire

  • LoeserT_Box4_2016_w.jpg
    Tom Loeser
    Box 4

    Mahogany, milk paint

    5” h x 12.5” w x 9.5” d

    Inquire

  • MarderD_Sisters_Group_w.jpg
    Donna Marder
    Sisters

    Sewn papers, collages, thread, antique buttons

    Various sizes

    “Ancient history has lots to say about three women—goddesses, fates, muses and hags. Echoes of the story of their power remains. It’s found relatively recently in fairy tales (Grimm), modern literature (Chekov) opera (The Mikado) and movies (The Triplets of Belleville). In the same spirit, these three little girl’s dresses are archetypical and magical.”
    Photo: Dean Powell

    Inquire

  • MarderD_SisterBlue_w.jpg
    Donna Marder
    Sister Blue

    Sewn antique book paper, hand-made paper, collaged art postcards and an antique button

    18” h x 16” w x 12” d

    “Ancient history has lots to say about three women—goddesses, fates, muses and hags. Echoes of the story of their power remains. It’s found relatively recently in fairy tales (Grimm), modern literature (Chekov) opera (The Mikado) and movies (The Triplets of Belleville). In the same spirit, these three little girl’s dresses are archetypical and magical.”
    Photo: Dean Powell

    Inquire

  • MarderD_SisterBlue_Detail_w.jpg
    Donna Marder
    Sister Blue

    Sewn antique book paper, hand-made paper, collaged art postcards and an antique button

    18” h x 16” w x 12” d

    “Ancient history has lots to say about three women—goddesses, fates, muses and hags. Echoes of the story of their power remains. It’s found relatively recently in fairy tales (Grimm), modern literature (Chekov) opera (The Mikado) and movies (The Triplets of Belleville). In the same spirit, these three little girl’s dresses are archetypical and magical.”
    Photo: Dean Powell

    Inquire

  • MarderD_SisterGreen_w.jpg
    Donna Marder
    Sister Green

    Sewn paper, collaged art postcards and an antique button

    16” h x 13” w x 8” d

    “Ancient history has lots to say about three women—goddesses, fates, muses and hags. Echoes of the story of their power remains. It’s found relatively recently in fairy tales (Grimm), modern literature (Chekov) opera (The Mikado) and movies (The Triplets of Belleville). In the same spirit, these three little girl’s dresses are archetypical and magical.”
    Photo: Dean Powell

    Inquire

  • MarderD_SisterGreen_Detail_w.jpg
    Donna Marder
    Sister Green, detail

    Sewn photos, gold teachest paper and an antique button

    16” h x 13” w x 8” d

    “Ancient history has lots to say about three women—goddesses, fates, muses and hags. Echoes of the story of their power remains. It’s found relatively recently in fairy tales (Grimm), modern literature (Chekov) opera (The Mikado) and movies (The Triplets of Belleville). In the same spirit, these three little girl’s dresses are archetypical and magical.”
    Photo: Dean Powell

    Inquire

  • MarderD_SisterRed_w.jpg
    Donna Marder
    Sister Red

    Sewn paper, collaged art postcards and an antique button

    18” h x 12” w x 10” d

    “Ancient history has lots to say about three women—goddesses, fates, muses and hags. Echoes of the story of their power remains. It’s found relatively recently in fairy tales (Grimm), modern literature (Chekov) opera (The Mikado) and movies (The Triplets of Belleville). In the same spirit, these three little girl’s dresses are archetypical and magical.”
    Photo: Dean Powell

    Inquire

  • MarderD_SisterRed_Detail_w.jpg
    Donna Marder
    Sister Red, detail

    Sewn paper, collaged art postcards and an antique button

    18” h x 12” w x 10” d

    “Ancient history has lots to say about three women—goddesses, fates, muses and hags. Echoes of the story of their power remains. It’s found relatively recently in fairy tales (Grimm), modern literature (Chekov) opera (The Mikado) and movies (The Triplets of Belleville). In the same spirit, these three little girl’s dresses are archetypical and magical.”
    Photo: Dean Powell

    Inquire

  • MassaroKT_Necklace24_w.jpg
    Karen Theusen Massaro
    Necklace 24, Cloud Series 1, view A

    Porcelain hollow reversible beads, new jade spacer beads, hand forged sterling silver clasp by Danish silversmith

    21" long, 1 1/4" bead width x 1/2" bead height

    Inquire

  • MassaroKT_Necklace24A.jpg
    Karen Theusen Massaro
    Necklace 24, Cloud Series 1, view B

    Porcelain hollow reversible beads, new jade spacer beads, hand forged sterling silver clasp by Danish silversmith

    21" long, 1 1/4" bead width x 1/2" bead height

    Inquire

  • MassaroKT_Necklace27_w.jpg
    Karen Theusen Massaro
    Necklace 27, view A

    Porcelain hollow reversible beads, new jade spacer beads, hand forged sterling silver clasp by Danish silversmith

    21.5" long, 1 1/8" bead width x 1/2" bead height

    Inquire

  • MassaroKT_Necklace27A_w.jpg
    Karen Theusen Massaro
    Necklace 27, view B

    Porcelain hollow reversible beads, new jade spacer beads, hand forged sterling silver clasp by Danish silversmith

    21.5" long, 1 1/8" bead width x 1/2" bead height

    Inquire

  • McCainE_QuadGeese.jpg
    Eleanor McCain
    Quad Geese

    Hand dyed and machine stitched cotton

    Inquire

  • McQueenJ_Portmanteau_PaintOnPanel_48x60x2_w.jpg
    John McQueen
    Portmanteau

    Paint on panel

    48" x 60" x 2"

    Inquire

  • McQueenJ_Portmanteau_PaintOnPanel_48x60x2_Detail_w.jpg
    John McQueen
    Portmanteau, detail

    Paint on panel

    48" x 60" x 2"

    Inquire

  • McQueenJ_Portmanteau_PaintOnPanel_48x60x2_DetailA_w.jpg
    John McQueen
    Portmanteau, detail

    Paint on panel

    48" x 60" x 2"

    Inquire

  • MerkelHessM_RinardA_ReedPaperAcrylicPaint_30x19x11_w.jpg
    Mary Merkel-Hess
    Rinard

    Reed, paper, acrylic paint

    30" x 19" x 11"

    Inquire

  • MerkelHessM_RinardB_ReedPaperAcrylicPaint_30x19x11_w.jpg
    Mary Merkel-Hess
    Rinard

    Reed, paper, acrylic paint

    30" x 19" x 11"

    Inquire

  • RichmondL_FauvLeafCloth_w.jpg
    Lesley Richmond
    Fauv Leaf Cloth

    Devore, dyed, printed and stitched silk/rayon fabric

    Inquire

  • RichmondL_FauvLeafCloth_Detail_w.jpg
    Lesley Richmond
    Fauv Leaf Cloth, detail

    Devore, dyed, printed and stitched silk/rayon fabric

    Inquire

  • RichmondL_FauvLeafCloth_DetailA_w.jpg
    Lesley Richmond
    Fauv Leaf Cloth, detail

    Devore, dyed, printed and stitched silk/rayon fabric

    Inquire

  • SauseleL_Matisse_w.jpg
    Lynne Sausele
    Fauvist Beadist Portrait after Matisse "Raie Verte: The Green Stripe"

    Glass beads

    Private Collection

    Inquire

  • SauseleL_Matisse_Detail_w.jpg
    Lynne Sausele
    Fauvist Beadist Portrait after Matisse "Raie Verte: The Green Stripe"

    Glass beads

    Private Collection

    Inquire

  • SauseleL_BlueBirdTeapot_w.jpg
    Lynne Sausele
    Blue Bird Teapot

    Glass beads, ceramic

    Inquire

  • SeeligW_ShadowfieldColoredLight_StainlessSteelFluorescentPlexiglass_w.jpg
    Warren Seelig
    Shadowfield: Colored Light

    Stainless steel, fluorescent plexiglass

    Inquire

  • SperkovaB_NecklaceEarrings_AfterAndreaDerain_FingerKnitted.jpeg
    Blanka Sperkova
    After Andrea Derain

    Necklace and Earrings. Finger knitting

    Inquire

  • SperkovaB_NecklaceEarrings_AfterMauricedeVlaminck_FingerKnitted.jpeg
    Blanka Sperkova
    After Maurice de Vlaminck

    Necklace and Earrings. Finger knitting

    Inquire

  • ThiewesR_462_Bracelet_Slipstream_w.jpg
    Rachelle Thiewes
    Slipstream #462

    Bracelet. Steel, auto paint

    Inquire

  • ThiewesR_462_Bracelet_SlipstreamA_w.jpg
    Rachelle Thiewes
    Slipstream #462

    Bracelet. Steel, auto paint

    Inquire

  • ThiewesR_465_Sliced_w.jpg
    Rachelle Thiewes
    Sliced #465

    Bracelet. Steel, auto paint

    Inquire

  • ThiewesR_465_SlicedA_w.jpg
    Rachelle Thiewes
    Sliced #465

    Bracelet. Steel, auto paint

    Inquire

  • ThiewesR_471_Earrings_Sliced_w.jpg
    Rachelle Thiewes
    Sliced #471

    Earrings. Steel, auto paint

    Inquire

  • ThiewesR_471_Earrings_SlicedA_w.jpg
    Rachelle Thiewes
    Sliced #471

    Earrings. Steel, auto paint

    Inquire

  • ThiewesR_472_Earrings_Sliced_w.jpg
    Rachelle Thiewes
    Sliced #472

    Earrings. Steel, auto paint

    Inquire

  • ThiewesR_477_Bracelet_Sliced_w.jpg
    Rachelle Thiewes
    Sliced #477

    Bracelet. Steel, auto paint

    Inquire

  • ThiewesR_477_Bracelet_SlicedA_w.jpg
    Rachelle Thiewes
    Sliced #477

    Bracelet. Steel, auto paint

    Inquire

  • UravitchA_Ephemeral_w.jpg
    Andrea Uravitch
    Ephemeral

    Wonderflex, handmade paper, paint, mounted on a cradle board, crochet, ceramics, wire, machine sewn

    12 1/2" w x 17" h x 4 3/4" d

    "My bas-relief of a close up of mallow flowers in a garden was inspired by Gauguin’s exotic paintings of gardens in Tahiti. Matisse’s later in life use of cut paper shapes also influenced my designs. The Fauve artists also paired down their compositions into flat shapes and used a distinct palette of colors. They got away from transcribing nature.
    "I chose the large pink mallow flowers found in our garden with contrasting green and ochre colored leaves, a yellow pod, two beetles floating over a layer of mottled deep blue paper. Light is also an important element for the Fauve painters. I tried to portray the flowers in sunshine, contrasting with the layers and shadows of the leaves. It turned out to be a rewarding challenge."

    Inquire

  • UravitchA_Ephemeral_Detail_w.jpg
    Andrea Uravitch
    Ephemeral, detail

    Wonderflex, handmade paper, paint, mounted on a cradle board, crochet, ceramics, wire, machine sewn

    12 1/2" w x 17" h x 4 3/4" d

    "My bas-relief of a close up of mallow flowers in a garden was inspired by Gauguin’s exotic paintings of gardens in Tahiti. Matisse’s later in life use of cut paper shapes also influenced my designs. The Fauve artists also paired down their compositions into flat shapes and used a distinct palette of colors. They got away from transcribing nature.
    "I chose the large pink mallow flowers found in our garden with contrasting green and ochre colored leaves, a yellow pod, two beetles floating over a layer of mottled deep blue paper. Light is also an important element for the Fauve painters. I tried to portray the flowers in sunshine, contrasting with the layers and shadows of the leaves. It turned out to be a rewarding challenge."

    Inquire

  • YamadaM_Brooch1_w.jpg
    Mizuko Yamada
    Brooch

    Inquire

  • YamadaM_Brooch2_w.jpg
    Mizuko Yamada
    Brooch

    Inquire

  • YamadaM_Brooch3_w.jpg
    Mizuko Yamada
    Brooch

    Inquire


Jeanette Ahlgren
#145 Dissonance

Woven glass beads, wire


Artwork Inquire Form

×

Tomomi Arata
Rings

Enamel, sterling silver, crystal


Artwork Inquire Form

×

Vivian Beer
Bridge Bench

Stainless steel, pure pigment, and ferrocement (concrete)


Artwork Inquire Form

×

Vivian Beer
Raindrop Stool

Stainless steel, pure pigment, and ferrocement (concrete)


Artwork Inquire Form

×

Mary Bero
Sunflower

Embroidered silk, cotton and rayon


Artwork Inquire Form

×

Sarah Enoch
Asteridea

Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×

Sarah Enoch
Asteridea, detail

Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×

Sarah Enoch
Discodea

Earrings. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×

Sarah Enoch
Aureus

Earrings. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×

Sarah Enoch
Aureus

Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×

Sarah Enoch
Folium

Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×

Sarah Enoch
Folium

Earrings. Necklace. Thermoformed polyethelyne (PE), oxidized sterling silver


Artwork Inquire Form

×

Arline Fisch
Fauvist Flower

Necklace. Coated copper wire, machine knit base and spool knit flowers


Artwork Inquire Form

×

Arline Fisch
Pink and Orange Circles

Necklace. Coated copper wire, spool knit


Artwork Inquire Form

×

Arline Fisch
Purple and Green

Scarf and Brooch. Coated copper wire


Artwork Inquire Form

×

Arata Fuchi
Hommage 3

Brooch. Pulverization and Keum-Boo techniques.
Sterling silver, silver powder, oxidized silver powder, fine gold, palladium, oxidized shibuichi, 18k yellow gold, fine silver


Artwork Inquire Form

×

Arata Fuchi
Hommage 1

Ring. Pulverization technique. Sterling silver, silver powder, oxidized silver power, fine gold, palladium, oxidized shibuichi


Artwork Inquire Form

×

Myungjin Kim
Spring-Bosch

Painted and glazed porcelain


Artwork Inquire Form

×

Myungjin Kim
Spring-Bosch, back view

Painted and glazed porcelain


Artwork Inquire Form

×

Myungjin Kim
Spring-Bosch, detail

Painted and glazed porcelain


Artwork Inquire Form

×


Artwork Inquire Form

×


Artwork Inquire Form

×

Tom Loeser
Four Stacking Boxes with Lids

Mahogany, milk paint


Artwork Inquire Form

×

Tom Loeser
Box 1

Mahogany, milk paint


Artwork Inquire Form

×

Tom Loeser
Box 2

Mahogany, milk paint


Artwork Inquire Form

×

Tom Loeser
Box 3

Mahogany, milk paint


Artwork Inquire Form

×

Tom Loeser
Box 4

Mahogany, milk paint


Artwork Inquire Form

×

Donna Marder
Sisters

Sewn papers, collages, thread, antique buttons


Artwork Inquire Form

×

Donna Marder
Sister Blue

Sewn antique book paper, hand-made paper, collaged art postcards and an antique button


Artwork Inquire Form

×

Donna Marder
Sister Blue

Sewn antique book paper, hand-made paper, collaged art postcards and an antique button


Artwork Inquire Form

×

Donna Marder
Sister Green

Sewn paper, collaged art postcards and an antique button


Artwork Inquire Form

×

Donna Marder
Sister Green, detail

Sewn photos, gold teachest paper and an antique button


Artwork Inquire Form

×

Donna Marder
Sister Red

Sewn paper, collaged art postcards and an antique button


Artwork Inquire Form

×

Donna Marder
Sister Red, detail

Sewn paper, collaged art postcards and an antique button


Artwork Inquire Form

×

Karen Theusen Massaro
Necklace 24, Cloud Series 1, view A

Porcelain hollow reversible beads,
new jade spacer beads, hand forged sterling silver clasp by Danish silversmith


Artwork Inquire Form

×

Karen Theusen Massaro
Necklace 24, Cloud Series 1, view B

Porcelain hollow reversible beads,
new jade spacer beads, hand forged sterling silver clasp by Danish silversmith


Artwork Inquire Form

×

Karen Theusen Massaro
Necklace 27, view A

Porcelain hollow reversible beads,
new jade spacer beads, hand forged sterling silver clasp by Danish silversmith


Artwork Inquire Form

×

Karen Theusen Massaro
Necklace 27, view B

Porcelain hollow reversible beads,
new jade spacer beads, hand forged sterling silver clasp by Danish silversmith


Artwork Inquire Form

×

Eleanor McCain
Quad Geese

Hand dyed and machine stitched cotton


Artwork Inquire Form

×

John McQueen
Portmanteau

Paint on panel


Artwork Inquire Form

×

John McQueen
Portmanteau, detail

Paint on panel


Artwork Inquire Form

×

John McQueen
Portmanteau, detail

Paint on panel


Artwork Inquire Form

×

Mary Merkel-Hess
Rinard

Reed, paper, acrylic paint


Artwork Inquire Form

×

Mary Merkel-Hess
Rinard

Reed, paper, acrylic paint


Artwork Inquire Form

×

Lesley Richmond
Fauv Leaf Cloth

Devore, dyed, printed and stitched silk/rayon fabric


Artwork Inquire Form

×

Lesley Richmond
Fauv Leaf Cloth, detail

Devore, dyed, printed and stitched silk/rayon fabric


Artwork Inquire Form

×

Lesley Richmond
Fauv Leaf Cloth, detail

Devore, dyed, printed and stitched silk/rayon fabric


Artwork Inquire Form

×

Lynne Sausele
Fauvist Beadist Portrait after Matisse “Raie Verte: The Green Stripe”

Glass beads


Artwork Inquire Form

×

Lynne Sausele
Fauvist Beadist Portrait after Matisse “Raie Verte: The Green Stripe”

Glass beads


Artwork Inquire Form

×

Lynne Sausele
Blue Bird Teapot

Glass beads, ceramic


Artwork Inquire Form

×

Warren Seelig
Shadowfield: Colored Light

Stainless steel, fluorescent plexiglass


Artwork Inquire Form

×

Blanka Sperkova
After Andrea Derain

Necklace and Earrings. Finger knitting


Artwork Inquire Form

×

Blanka Sperkova
After Maurice de Vlaminck

Necklace and Earrings. Finger knitting


Artwork Inquire Form

×

Rachelle Thiewes
Slipstream #462

Bracelet. Steel, auto paint


Artwork Inquire Form

×

Rachelle Thiewes
Slipstream #462

Bracelet. Steel, auto paint


Artwork Inquire Form

×

Rachelle Thiewes
Sliced #465

Bracelet. Steel, auto paint


Artwork Inquire Form

×

Rachelle Thiewes
Sliced #465

Bracelet. Steel, auto paint


Artwork Inquire Form

×

Rachelle Thiewes
Sliced #471

Earrings. Steel, auto paint


Artwork Inquire Form

×

Rachelle Thiewes
Sliced #471

Earrings. Steel, auto paint


Artwork Inquire Form

×

Rachelle Thiewes
Sliced #472

Earrings. Steel, auto paint


Artwork Inquire Form

×

Rachelle Thiewes
Sliced #477

Bracelet. Steel, auto paint


Artwork Inquire Form

×

Rachelle Thiewes
Sliced #477

Bracelet. Steel, auto paint


Artwork Inquire Form

×

Andrea Uravitch
Ephemeral

Wonderflex, handmade paper, paint, mounted on a cradle board, crochet, ceramics, wire, machine sewn


Artwork Inquire Form

×

Andrea Uravitch
Ephemeral, detail

Wonderflex, handmade paper, paint, mounted on a cradle board, crochet, ceramics, wire, machine sewn


Artwork Inquire Form

×

Mizuko Yamada
Brooch


Artwork Inquire Form

×

Mizuko Yamada
Brooch


Artwork Inquire Form

×

Mizuko Yamada
Brooch


Artwork Inquire Form

×

We request the pleasure of your company to view the work

and meet the artists including:

Vivian Beer
John McQueen
Elizabeth Whyte Schulze
Donna Rhae Marder
Yoko Zeltserman-Miyaji
Yoshiko Yamamoto

Saturday, December 10 from 3 p.m. to 5 p.m.
at
Mobilia Gallery

358 Huron Avenue
Cambridge, MA
02138

RSVP mobiliaart@verizon.net or 617-876-2109

Picasso and Pie will be served. We invite you to read the full story that inspired Picasso and Pie here.

Mobilia Gallery is pleased to announce Fauve, a group exhibition after the leaders of avant-garde art: Van Gogh, Gaugin and Matisse (among many others). Much as these great masters of the past shared the use of pure color as a resource for describing light and space, Mobilia artists too have redefined vivid color and form as a vehicle to project a mood or an emotional response. This exhibition includes multimedia work by artists in jewelry, textile, paint, glass and ceramic to celebrate artistic expression as inspired by the ideas that led to the emergence of Fauvism.

Partial list of participating artists:

Jeanette Ahlgren
Tomomi Arata
Mary Bero
Angela Bubash
Helen Dorion
Sarah Enoch
Arline Fisch
Arata Fuchi
Myungjin Kim
Mariko Kusumoto
Andrew Lamb
Tom Loeser
Donna Rhae Marder
Karen Thuesen Massaro
Eleanor McCain
Elizabeth McDevitt
John McQueen
Mary Merkel-Hess
Lesley Richmond
Lynne Sausele
Warren Seelig
Blanka Sperkova
Rachelle Thiewes
Andrea Uravitch
Mizuko Yamada
Yoshiko Yamamoto